July 20th, 2008A Review of 崔の上のポニョ (Gake no Ue no Ponyo)
Hayao Miyazaki’s (宮崎駿) latest film hit the theatres this weekend. His first in four years, the tale of 崔の上のポニョ (Gake no Ue no Ponyo — Ponyo on the Cliff by the Sea) end the speculation that the animation great had made his last movie. Reiko and I took advantage of the half-price movie tickets at Kakamigahara Jusco today, and we’re glad we did. The movie was great.
The movie is said to be inspired by the Hans Christian Anderson classic, “The Little Mermaid,” but there will be very few similarities between the original story or the Disney re-telling. The story’s main character, Ponyo, wants to see more of the world and escapes her home on a jellyfish. After running into some trouble with the excessive amount of man-made garbage in the oceans, a boy named Sosuke helps her out and vows to protect the girl from harm.
I won’t go into too much detail, as that would spoil the fun of the movie, but it’s one of those films that people will think of as an instant classic the moment they see it.
That said, perhaps due to my limited Japanese skills, there are some areas that are difficult to understand. The comments about the proximity of the Moon and how most of an island was completely drowned by the ocean continues to leave me perplexed. Yet despite the slight confusion, the 110 minute journey into the life of Ponyo and her quest to grow up is a great story for anyone regardless of age or linguistic ability.
Not Miyazaki-sensei’s Last
I’ve had the opportunity to enjoy most of Miyazaki’s works, with the first being Nausicaa. He’s been said to be one of Japan’s biggest cultural exports and his last film, “Howl’s Moving Castle,” broke box office records in Japan before winning a following among anime affectionados around the world. What’s interesting, though, is that he has stated repeatedly that he’d like to retire.
Viewers of Gake no Ue no Ponyo will probably notice that there is absolutely no computer animation involved in the movie. Miyazaki has said that using pencils will be the only way for the Japanese animation market to stay alive, as it sets them apart from the rest of the world. Regardless of how accurate the statement might be, the hard labour involved to create this motion picture classic can certainly be appreciated. 170,000 hand-drawn pictures were used to animate characters and objects. A record number for anything done by Miyazaki.
There are also a number of manually drawn pictures as the background, which can be seen with every scene where the small town (possibly in Kobe prefecture) is visible.
Mr. Miyazaki is getting close to 70 years of age, but I certainly hope he doesn’t give up his art. The man does deserve a rest and to enjoy his remaining years on the Earth but, at the same time, he clearly loves his craft and it would be a shame if the youthful wonder he adds to the films were to be limited.
If you get a chance, go see Gake no Ue no Ponyo. Young or old, married, single, other … it doesn’t matter. The movie is a timeless classic that can be enjoyed by all people, regardless of what moment in life we happen to be in.












































